Wrenching
Marlou and I traipse down the dock at the Golden
Hinde just as the tide hits maximum. The
water is all but lapping at our feet, and we are lapping it up. This is my daily exercise. With my rowing machine and exercycle in our
carport at home, this is my vacation aerobics.
I grip the splintering wood railing, lean lightly to avoid excessive
contact with the bird droppings, and proceed.
Marlou links her arm with mine, and we move along the boards. I take a step with the left foot, which
induces a predictable spasm on the right foot.
And we're off. We are off, given
some neuromuscular adjustments, to see the Wizard. And with arms linked, we do approximate the
movie characters heading down the
The Golden Hinde Boatel calls itself that. It's a motel for boats. I can't really believe that anyone approaches
this place from the sea, sails up the bay and steps on the boatel dock with
their bags. But this is entirely possible. There are plenty of slips for boats, plenty
of room for boaters and even two for quadriplegics. Ours has enormous picture windows looking
directly out on the bay, Tomales Bay.
But for now we are on the dock, and I am lurching
over the boards, getting exercise. I am
also getting into the 7:30 p.m. feel of the bay and its breezes and
smells. I tell Marlou that the flotsam
is rolling in and the jetsam is rolling out.
Both of us can see the mass of twigs and sticks floating in with the
tide. But only I can see Marlou
laughing. I cannot see her with my eyes,
at least not safely, because my focus is on the uneven boards and protruding
nails below.
We have been in
That morning Marlou and I drove to Abbots
Lagoon. The drive was slow, because the
fog hung low over the hills. I didn't
mind, relishing a good excuse to go 25 mph.
When we got to the parking lot that marks the trailhead, the morning was
surprisingly gray, even cold. This is
not what one expects of August in
Marlou rolls her eyes at the haute tone of Point
Reyes Station, the regional center.
Toby's Feed Store sells bales of alfalfa in front while conducting yoga
classes in back. You can also pick up a
$10 box of granola. Marlou says the whole scene makes her vaguely
nauseous. But I see something else
happening here. Those old dairy farms
out on the windswept Point are barely hanging on, fighting for their economic
lives. The profit margin on milk isn't
reliable. The cost of fuel and
everything else associated with farming keeps going up. And families trying to hold lives together
while their kids ride yellow buses two hours to high school in Petaluma...well,
it's straining everyone. Either the
farms will disappear or they will have to adapt in the way of, say, the
Italians. These farms will have to
become partly agribusiness, partly agritourism.
Just like the yoga at the feed store, the stylish will have to merge
with the styleless.
I'm there already, lurching down the dock, simply
trying to stay erect, no tumbling, and no margin for worrying about style. Mine is a wholly functional ambulation,
scraped together from neurological bits and pieces. My style is entirely internal. It is, I suppose, what could be called
melancholy. The sadness in things seems
to intrude at all moments. Which is why
Marlou's style serves to balance mine.
She is facing a PET scan in two
days, and facing it with eyes wide open.
Her blood test has shown that her cancer again is on the move. But for now she's laughing, even if I'm
not. She is laughing for two of us. Which is fine. I can't help but experience these moments as
wrenching. Which is why I have to ask
Marlou if she knows the meaning of wrench.
Dutifully, she says no, and I explain that a wrench is a place for
Jewish cowboys.
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